He is a John Wick-like figure, who just wants to lead a peaceful life, but a devastating loss turns him into an avenging angel. Michael's lack of emotions actually help. We don't get too many scenes between them, and they have very little as far as conversations go, but we get a sense of this relationship - two wounded souls seeking solace in each other. And this, Arjunan achieves with the romantic track between Prabhakar and Amudha. All that we need to grasp is why Prabhakar is seeking revenge to be invested in his story. But once the director sets up the premise, the film takes off when it turns into a revenge thriller. The initial portions, despite the flashy opening shot, are actually underwhelming, resembling a pilot film that is trying hard to build up mood. But then, what he fails to realise is that he is caught in a web spun by greedy politicians, corrupt cops and ruthless gangsters, and that he has also put Amudha at risk.īacked by solid writing, which uses spare dialogues, Oomai Sennaai gets us hooked into its narrative gradually. But Prabhakar, who is troubled by the immoral work, wants to quit, motivated by his girlfriend Amudha (Sanam Shetty, surprisingly effective). Their current target Azhagappan (Jayakumar) seems to be two-timing his wife and they are trying to get evidence of his infidelity - or so it seems. The film is about Prabhakar (Michael Thangadurai), a man with a murky past who is working for a seedy private detective Rathnam (Gajaraj), who blackmails their marks. But it also signals that director Arjunan Ekalaivan isn't interested in making a visually inert film. It is a flashy visual that seems to be just another example of how drone shots have become unavoidable in our films these days.
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Oomai Sennaai Movie Review: In the opening shot of Oomai Sennaai, the camera starts from the middle of the sea, moves over a casuarina grove, and then travels over a road, tracking a moving car.